A story about family that will catch you off guard
by
literary cartoonist Annie Weatherwax
The original pencil sketches from the movie are available for display
Oscar winner, Chris Cooper
&
HBO’s The Sopranos,
Marianne Leone
“Moving…brilliant animation and story…made us laugh and cry."
Nancy Fichman
writer, showrunner, producer. Co-creator of Apple-TV's original series "High Desert"
“Monster in a Dress” takes you on an unexpected ride. A heartbreaking, inventive tale of resilience and the enduring power of the human spirit.
Heidi Pitlor
editor, Best American Short Stories
"Monster in a Dress" does nothing less than create a new medium to tell an urgent story that is both timely and timeless. Drawing, text, animation, sound, and video work in perfect harmony and the result is a groundbreaking experience for the viewer, one that explores the most important questions about the secrets we inherit from our family and how these inform our identities. In a time when compassion and understanding are in short supply, "Monster in a Dress" should be required viewing for anyone with a beating heart.
Thomas Dolby
musician, producer, composer
"Inventive and very quirky, the music is a perfect compliment to the story and sometimes hilarious animation."
Helen Elaine Lee
author, Pomegranate
Visually compelling and unforgettable, “Monster in a Dress” is a work of bravery and emotional truth. The story unfolds through singular imagery, distinctly rendered characters, and an amalgam of raw honesty and tenderness. It is filled with unexpected visual delights and intriguing stories within stories. I was deeply moved by its evocation of the power and complexity of family bonds and histories, the pain of exclusion, and the healing force of a grandmother's love.
​​Now available to
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Museums
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Colleges & Universities
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High Schools
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Libraries
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Non-Profits or Community Groups
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For Profits & Corporation
Through
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about the film
Monster in a Dress is a semi-autobiographical story about my struggle growing up as a girl who didn’t act like one.
It reimagines the relationship I had with my immigrant family and pays homage to my grandmother, a powerful matriarch who saved me.
A multimedia short story, “Monster in a Dress” was created with drawings, sound effects, kinetic typography, animation, archival imagery, and live action clips. The elements have been orchestrated not only to entertain, but also to build empathy. For that reason, I narrate the story myself.
The piece grew out of a series of character sketches that started to take on a familiar feel. It wasn’t until my fourth or fifth drawing that I realized I was drawing a version of my own extended family. (These original pencil drawings--twenty-one in all--are available to show alongside any potential screening). From these drawings, I found music; music that told me something about the characters and how to bring their dynamics to life.
Kids are resilient, but it’s difficult for some not to internalize the monstrous way the world sees them. I was one of those kids. If "Monster in a Dress" can ease the struggle of just one person, it will have served its purpose.
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Annie Weatherwax
Creator and Director
ANNIE WEATHERWAX spent her early career as an artist sculpting superheroes and cartoon characters. Included in her portfolio are characters from Nickelodeon, DC Comics, and Pixar. Winner of the Robert Olen Butler Prize for Fiction, her debut novel, All We Had, was a finalist the Massachusetts Book Award and is now a major motion picture from Tribeca Films. In 2017 she received The Hamilton Life Achievement Award for individuals with dyslexia. She has written about her dyslexia and visual literacy including for Publishers Weekly and The New York Times. She was recently the inaugural fellow at New Yorker cartoonist James Stevenson’s Lost and Found Lab. Character sketches and stories from her book “Odd Balls and Relationships,” were published Ploughshares Magazine.
Debra Barsha
Composer
DEBRA BARSHA won the Jonathan Larson Award for the score to Radiant Baby, (Public Theater) directed by George C. Wolfe. Composer credits: Songs From an Unmade Bed (NYTW), A Taste of Things to Come (with Hollye Levin, York Theatre). and her two one-woman shows Go To Your Womb and A Womb With a View (CAP21/Cherry Lane Theatre). Barsha originated roles and was the music director for the original off-Broadway companies of both Tony ‘N’ Tina’s Wedding and Charles Busch’s Swingtime Canteen. Music Director/Conductor: Steven Sater/Serj Tankian’s world premiere of Prometheus Bound (ART - dir. Diane Paulus), Karen O’s psycho opera Stop the Virgens! At St. Ann’s Warehouse and at the Sydney Opera House. Vocal arrangements: Yeah Yeah Yeah’s single Sacrilege and Lea DeLaria’s album House of Bowie. Associate Conductor: Broadway’s Jersey Boys and Summer: The Donna Summer Musical. Piano for Tina: The Tina Turner Musical.
